Slough House

Molly Doran

Who they are

Registrar of Records at Regent’s Park: the basement archive of paper files on tracked cabinets, and the woman who decides what the building is allowed to remember. She works from a wheelchair and keeps the archive herself.

She and Jackson Lamb are contemporaries who had not spoken for fifteen years before he walked into her basement, and the estrangement is treated as a fact rather than a wound. She is the one person in the Park who argues with him instead of around him, and the only one whose questions he answers.

What they want

To keep The Dogs off her floor and her archive out of whichever operation is currently borrowing it. She is not neutral: she concedes a point when the reasoning is good, and then supplies the name that makes it usable.

What she wants from Lamb, after fifteen years, is a rule rather than an apology.

Book 2 — Dead Lions

She gives him the file, the deduction and the phrase, and asks nothing for any of it beyond the right to be asked again. It is the one exchange in the book where the price is not leverage.

Book 3 — Real Tigers

Two sentences, and the slow horses have their address. Records keeps the Park’s memory, and she decides each time which part of it is allowed to leave the room.

Tells

The paper archive in a digital building; a refusal that is one sentence long and final. She corrects a conclusion rather than a person, and only when the conclusion is wrong. Where Lamb performs his contempt, she simply declines.

Open questions

What the fifteen years were about, since neither of them says. Whether Records holds the 1951 file that would answer River Cartwright’s question about his grandfather. Whether she keeps a file on Lamb, and what is in it.

Book 2

Book 3

Book 4