Min Harper

Who they are

A former high-flyer who left a classified disk on a tube train and heard his career dismantled on Radio 4. Divorced, with two sons of nine and eleven he telephones and cannot talk to. At Slough House he runs the shredder.

What they want

His boys, mostly, and a second chance he knows he will not get. He is the character who understands the institution best and expects least from it.

Book 1 — Slow Horses

• C02 — Phones his sons, rows with his ex-wife about visiting once a week, and replays the disk and the radio.
• C08 — Drinks with Louisa Guy, kisses her on the stairs, then tackles a balaclava’d intruder and breaks his neck. The intruder is Jed Moody.
• C12 — Breaks into Ho’s garden, still carrying the paperweight from the fight.
• C17 — Shares a desk and a transistor radio with Louisa; the news reports Robert Hobden’s death.

Book 2 — Dead Lions

• C01 — Seconded with Louisa Guy to James Webb for three weeks to babysit a visiting Russian; thinks about challenging Webb to a fight.
• C03 — Alone in a bedsit, measuring the drop since the disk, and deciding the summit is his route back to the Park.
• C04 — Fronts the meeting with Pashkin’s armed advance men, chases their cab across the City on a bicycle and takes half its plate.
• C05 — Reports the cab’s Edgware Road address, then misreads Louisa at his desk and is shut down; the row sends him out that night.
• C06 — Tails Kyril from the hookah café, is taken at a corner with a key at his throat, and drinks vodka with the men he followed.
• C06 — Killed: neck broken in an underground garage off the Edgware Road, the body staged as a bicycle accident, then filed as road traffic.

He is the one who wanted back in most, and the wanting is what walks him into the garage. Rebecca Mitchell’s account was taken at the junction and filed as a road death; Lamb keeps the other version, and by the last chapter he means to collect on it.

Tells

The paperweight he does not put down. Sentences that stop halfway when his sons come up.

Open questions

Whether killing Moody is ever formally acknowledged, or quietly absorbed into Taverner’s cover story — the book never lets him say.